Krause und Schwelling () sehen in Apocalypse Now () sowohl eine Apocalypse Now () kann abschließend als ein Film verstanden werden, der. Zum Jubiläum des Klassikers "Apocalypse Now" bringt Oscar-Preisträger Francis Ford Coppola den Film neu in die Kinos. "Fazit"-Kritiker. USA Drama, Kriegsfilm Kinostart: Verleih: Tobis Film Regie: Francis Ford Coppola Drehbuch: John Milius, Francis Ford Coppola.
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Auf dem Höhepunkt des Vietnamkrieges erhält der Militärpolizist Captain Willard einen waghalsigen Auftrag. Gemeinsam mit einer kleinen Truppe Soldaten begibt er sich in Richtung kambodschanische Grenze, um einen hochrangigen US-Militär, Colonel. Apocalypse Now [əˈpɒkəlɪps naʊ] (englisch für etwa „Apokalypse jetzt“ oder „Weltuntergang jetzt“) ist ein Antikriegsfilm des Regisseurs Francis Ford Coppola. – Apokalypse (Originaltitel: 10,5: Apocalypse) ist eine US-amerikanische Viele im Film dargestellte Theorien in der Geologie sind wissenschaftlich nicht. Entdecke die besten Filme - Apokalypse: Mad Max: Fury Road, Terminator, Interstellar, Die Vögel, Zombie - Dawn of the Dead, 28 Days Later, Pi. Ein Lexikon zu Religion im Film mit Kurzkritiken Johannes Horstmann APOCALYPSE-FILM-SERIE CND/USA – Eine auf fünf Teile konzipierte. Krause und Schwelling () sehen in Apocalypse Now () sowohl eine Apocalypse Now () kann abschließend als ein Film verstanden werden, der. USA Drama, Kriegsfilm Kinostart: Verleih: Tobis Film Regie: Francis Ford Coppola Drehbuch: John Milius, Francis Ford Coppola.
USA Drama, Kriegsfilm Kinostart: Verleih: Tobis Film Regie: Francis Ford Coppola Drehbuch: John Milius, Francis Ford Coppola. Auf dem Höhepunkt des Vietnamkrieges erhält der Militärpolizist Captain Willard einen waghalsigen Auftrag. Gemeinsam mit einer kleinen Truppe Soldaten begibt er sich in Richtung kambodschanische Grenze, um einen hochrangigen US-Militär, Colonel. Entdecke die besten Filme - Apokalypse: Mad Max: Fury Road, Terminator, Interstellar, Die Vögel, Zombie - Dawn of the Dead, 28 Days Later, Pi. The first letterboxed appearance, on Laserdisc on Transit Trailer 29,cropped the film to a aspect ratio conforming to the Univisium Rampage Stream Deutsch 2019 created by cinematographer Vittorio Storaroand included a small degree of pan-and-scan Zdf Familie Braun at the insistence of Coppola and Storaro. Download as PDF Bembelsche version. Academy of Motion Picture Arts and Sciences. Coppola argues that many episodes in the film—the spear and arrow attack on the boat, for example—respect the spirit of the novella and in particular its critique of the concepts of civilization and progress. Best Editing.
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Based on Heart of Darkness by Joseph Conrad. Colonel Kurtz. Joseph Conrad 's Heart of Darkness. Kurtz Charles Marlow. Joseph Conrad works.
Francis Ford Coppola. They tell each other that they will see each other soon, and the film ends with the meteor colliding with the Earth, destroying all life.
The Apocalypse was originally written as a straightforward disaster film, but buyers asked for a religious film. It was rewritten to include faith-based elements, and The Asylum created the Faith Films label to distribute it.
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Apocalypse Film - NavigationsmenüBeim Zuschauer kann der Eindruck einer Parodie auf französische Gesellschaftsfilme entstehen, in denen Franzosen am Wochenende in fröhlicher Runde zusammenkommen. Maxdome Store Sex-Film 1. Nur in der Redux -Version enthalten.
Kilgore is initially uncooperative as he has not received word about their mission through normal channels, but he becomes more engaged after discovering that Lance is a well-known surfer.
The helicopter squadron, playing " Ride of the Valkyries " on loudspeakers, raids at dawn, with Kilgore ordering a napalm strike on the Viet Cong.
Before Kilgore can lure Lance out to surf on the newly conquered beach, Willard gathers the sailors to the PBR to continue their mission. Tension arises as Willard believes himself in command of the PBR while Chief prioritizes routine patrol objectives over Willard's.
Slowly making their way upriver, Willard partially reveals his mission to the Chief to assuage his concerns about why his mission should proceed.
As Willard studies Kurtz's dossier, he is struck by the mid-career sacrifice Kurtz made by leaving a prestigious Pentagon assignment to join the Special Forces, which afforded no prospect of advancing in rank past Colonel.
The third-generation West Point graduate could have pursued more conventional command assignments to eventually rise to four-star general.
Weeks later, the PBR reaches the remote U. Army outpost by the Do Lung Bridge. Willard and Lance enter the outpost after nightfall, seeking information on what is upriver and receive a dispatch bag containing official and personal mail.
Unable to find any commanding officer at Do Lung, Willard orders the Chief to continue as an unseen enemy assaults the bridge. As the crew read letters from home, Lance activates a smoke grenade while under the influence of LSD, attracting the attention of an unseen enemy, and Mr.
Clean is killed. Further upriver, Chief is impaled by a spear thrown by Montagnards and attempts to kill Willard by impaling him on the spear point protruding from his own chest.
Willard suffocates Chief and Lance buries him in the river. Willard reveals his mission to Chef, who is now in charge of the PBR.
Chef is angered by the mission, but he insists that they complete it together. The PBR arrives at Kurtz's outpost, located on the site of a long abandoned Angkor Empire temple compound, teeming with Montagnards and strewn with corpses and severed heads.
Willard, Chef and Lance are greeted by an American freelance photojournalist, who manically praises Kurtz's genius.
As they wander through, they come across a near-catatonic Colby, along with other US servicemen now in Kurtz's renegade army. Willard returns to the moored PBR to leave Chef with the boat, ordering him to call in a pre-arranged airstrike on the outpost if Willard and Lance do not return.
In the camp, Willard is subdued, bound and brought before Kurtz in a darkened temple. Willard is detained for several days, during which time Kurtz kills Chef, preventing the airstrike from occurring.
Willard is soon released and allowed to roam the compound. Kurtz lectures him on his theories of war, the human condition and civilization, while praising the ruthlessness and dedication of his adversaries, the Viet Cong.
Kurtz discusses his family and asks that Willard tell his son about him after his death. That night, as the Montagnards ceremonially slaughter a water buffalo , Willard stealthily enters Kurtz's chamber as he is making a voice recording and attacks him with a machete.
Mortally wounded, Kurtz utters " The horror All in the compound see Willard departing, carrying a collection of Kurtz's writings, and bow down to him.
Willard then leads Lance to the boat and they sail away. Although inspired by Joseph Conrad 's Heart of Darkness , the film deviates extensively from its source material.
The novella , based on Conrad's experience as a steamboat captain in Africa, is set in the Congo Free State during the 19th century.
Willard work for a Belgian trading company that brutally exploits its native African workers. After arriving at Kurtz's outpost, Marlow concludes that Kurtz has gone insane and is lording over a small tribe as a god.
The novella ends with Kurtz dying on the trip back and the narrator musing about the darkness of the human psyche: "the heart of an immense darkness".
In the novella, Marlow is the pilot of a river boat sent to collect ivory from Kurtz's outpost, only gradually becoming infatuated with Kurtz.
In fact, when he discovers Kurtz in terrible health, Marlow makes an effort to bring him home safely. In the film, Willard is an assassin dispatched to kill Kurtz.
Nevertheless, the depiction of Kurtz as a god-like leader of a tribe of natives and his malarial fever, Kurtz's written exclamation "Exterminate all the brutes!
Exterminate them all! The horror! Coppola argues that many episodes in the film—the spear and arrow attack on the boat, for example—respect the spirit of the novella and in particular its critique of the concepts of civilization and progress.
Other episodes adapted by Coppola, the Playboy Playmates' Sirens exit, the lost souls, "take me home" attempting to reach the boat and Kurtz's tribe of white-faced natives parting the canoes gates of Hell for Willard, with Chef and Lance to enter the camp are likened to Virgil and "The Inferno" Divine Comedy by Dante.
While Coppola replaced European colonialism with American interventionism , the message of Conrad's book is still clear.
He would send these ears back to his superiors as proof of the efficacy of his operations deep inside Laos.
Rheault , who was the actual head of 5th Special Forces Group May to July , and whose arrest over the murder of suspected double agent Thai Khac Chuyen in Nha Trang generated substantial contemporary news coverage, in the Green Beret Affair ,  including making public the phrase " terminate with extreme prejudice ",  which was used prominently in the movie.
It is considered that the character of Lieutenant Colonel Bill Kilgore is based on several characters, including John B. In the film, shortly before Colonel Kurtz dies, he recites part of T.
Eliot 's poem " The Hollow Men ". Eliot's original epigraph for "The Waste Land" was this passage from Heart of Darkness , which ends with Kurtz's final words: .
Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? Alfred Prufrock ".
He had read the novel as a teenager and was reminded about it when his college English professor, Irwin Blacker of USC, mentioned the several unsuccessful attempts to adapt it into a movie.
Blacker challenged his class by saying, "No screenwriter has ever perfected a film adaption of Joseph Conrad's Heart of Darkness. It would have been too simple to have followed the book completely.
Milius based the character of Willard and some of Kurtz's on a friend of his, Fred Rexer. Rexer claimed to have experienced, first-hand, the scene related by Brando's character wherein the arms of villagers are hacked off by the Viet Cong.
Kurtz was based on Robert B. Rheault, head of Special Forces in Vietnam. At one point, Coppola told Milius, "Write every scene you ever wanted to go into that movie",  and he wrote ten drafts, amounting to over a thousand pages.
Milius says the classic line "Charlie don't surf" was inspired by a comment Ariel Sharon made during the Six-Day War , when he went skin diving after capturing enemy territory and announced, "We're eating their fish".
He says the line "I love the smell of napalm in the morning" just came to him. Warner Bros. Coppola was drawn to Milius's script and acquired the rights, which he described as "a comedy and a terrifying psychological horror story".
He envisioned the film as a definitive statement on the nature of modern war, the difference between good and evil, and the impact of American society on the rest of the world.
The director said that he wanted to take the audience "through an unprecedented experience of war and have them react as much as those who had gone through the war".
In , Coppola was hoping for co-operation from the United States Army and scouted military locations in Georgia and Florida. Production coordinator Fred Roos had already made two low-budget films there for Monte Hellman , and had friends and contacts in the country.
Milius claimed it would be the "most violent film ever made". Eastwood also revealed that McQueen tried to convince him to play Willard; McQueen wanted to play Kurtz because then he would only have to work for two weeks.
Coppola and Roos had been impressed by Martin Sheen 's screen test for Michael in The Godfather and he became their top choice to play Willard, but the actor had already accepted another project and Harvey Keitel was cast in the role based on his work in Martin Scorsese 's Mean Streets.
Caan wanted too much money for what was considered a minor part in the movie, and Harrison Ford was eventually cast instead. Prior to departure for principal photography, Coppola took out an advertisement in the trade press declaring Keitel, Duvall and others as the "first choices" for the film.
Sam Bottoms , Larry Fishburne and Albert Hall all signed seven-year deals, with Coppola including acting training of their choice in their deal.
On March 1, , Coppola and his family flew to Manila and rented a large house there for the planned four-month shoot. John Ashley assisted with production in the Philippines.
Shooting began on March 20, Dean Tavoularis remembers that it "started raining harder and harder until finally it was literally white outside, and all the trees were bent at forty-five degrees".
One part of the crew was stranded in a hotel and the others were in small houses that were immobilized by the storm. The Playboy Playmate set had been destroyed, ruining a month's shooting that had been scheduled.
Most of the cast and crew went back to the United States for six to eight weeks. Tavoularis and his team stayed on to scout new locations and rebuild the Playmate set in a different place.
Also, the production had bodyguards watching constantly at night and one day the entire payroll was stolen. Coppola flew back to the U.
He read a book about Genghis Khan to get a better handle on the character of Kurtz. The director downplayed Brando's weight by dressing him in black, photographing only his face, and having another, taller actor double for him in an attempt to portray Kurtz as an almost mythical character.
A water buffalo was slaughtered with a machete for the climactic scene in a ritual performed by a local Ifugao tribe, which Coppola had previously witnessed along with his wife Eleanor who filmed the ritual later shown in the documentary Hearts of Darkness and film crew.
Although this was an American production subject to American animal cruelty laws, scenes like this filmed in the Philippines were not policed or monitored and the American Humane Association gave the film an "unacceptable" rating.
After Christmas , Coppola viewed a rough assembly of the footage but still needed to improvise an ending. He returned to the Philippines in early and resumed filming.
On March 5 of that year, Sheen had a heart attack and struggled for a quarter of a mile to reach help. By that time, the film was already so over-budget, even he worried funding would be halted if word about his condition were to reach the investors, and claimed he suffered heat stroke instead.
He was back on the set on April 19, and during the interim, his brother Joe Estevez filled in for him and provided voice overs needed for his character.
Coppola later admitted that he can no longer tell which scenes are Joe and which are Martin. Rumors began to circulate that Apocalypse Now had several endings but Richard Beggs, who worked on the sound elements, said, "There were never five endings, but just the one, even if there were differently edited versions".
These rumors came from Coppola departing frequently from the original screenplay. Coppola admitted that he had no ending because Brando was too fat to play the scenes as written in the original script [ citation needed ].
Principal photography ended on May 21, ,  after days of filming. Japanese composer Isao Tomita was scheduled to provide an original score, with Coppola desiring the film's soundtrack to sound like Tomita's electronic adaptation of The Planets by Gustav Holst.
Tomita went as far as to accompany the film crew in the Philippines, but label contracts ultimately prevented his involvement. Murch realized that the script had been narrated but Coppola abandoned the idea during filming.
The author Michael Herr received a call from Zoetrope in January and was asked to work on the film's narration based on his well-received book about Vietnam, Dispatches.
Murch had problems trying to make a stereo soundtrack for Apocalypse Now because sound libraries had no stereo recordings of weapons. The sound material brought back from the Philippines was inadequate, because the small location crew lacked the time and resources to record jungle sounds and ambient noises.
Murch and his crew fabricated the mood of the jungle on the soundtrack. This used two channels of sound from behind the audience as well as three channels of sound from behind the movie screen.
In May , Coppola postponed the opening until spring of Real human corpses were bought from a man who turned out to be a grave-robber.
The police took the film crew's passports and questioned them, and then soldiers came and took the bodies away. Dennis Hopper tormented Marlon Brando at times.
Brando refused to be on the set at the same time as Hopper. In April , Coppola screened a "work in progress" for people that was not well received.
Since his film The Conversation won the Palme d'Or , Coppola agreed to screen Apocalypse Now with only a month before the festival.
The week prior to Cannes, Coppola arranged three sneak previews of a minute cut in Westwood, Los Angeles on May 11   attended by 2, paying customers, some of whom lined up for over 6 hours.
At Cannes, Zoetrope technicians worked during the night before the screening to install additional speakers on the theater walls, to achieve Murch's 5.
Apocalypse Now won the Palme d'Or for best film along with Volker Schlöndorff 's The Tin Drum — a decision that was reportedly greeted with "some boos and jeers from the audience".
It ran exclusively in these three locations for four weeks before opening in an additional 12 theaters on October 3, At the time of its release, discussion and rumors circulated about the supposed various endings for Apocalypse Now.
Coppola said the original ending was written in haste, where Kurtz convinced Willard to join forces and together they repelled the air strike on the compound.
Coppola said he never fully agreed with the Kurtz and Willard dying in fatalistic explosive intensity, preferring to end the film in a more encouraging manner.
When Coppola originally organized the ending, he considered two significantly different ends to the movie. One involved Willard leading Lance by the hand as everyone in Kurtz's base throws down their weapons, and ends with images of Willard piloting the PBR slowly away from Kurtz's compound, this final scene superimposed over the face of a stone idol, which then fades into black.
The other option showed an air strike being called and the base being blown to bits in a spectacular display, consequently killing everyone left within it.
The original 70mm exclusive theatrical release ended with Willard's boat, the stone statue, then fade to black with no credits, save for '"Copyright Omni Zoetrope"' right after the film ends.
This mirrors the lack of any opening titles and supposedly stems from Coppola's original intention to "tour" the film as one would a play: the credits would have appeared on printed programs provided before the screening began.
The network television version of the credits ended with " One variation of the end credits can be seen on both YouTube and as a supplement on the current Lionsgate Blu-ray.
Later when Coppola heard that audiences interpreted this as an air strike called by Willard, Coppola pulled the film from its 35 mm run and put credits on a black screen.
In the DVD commentary, Coppola explains that the images of explosions had not been intended to be part of the story; they were intended to be seen as completely separate from the film.
He had added the explosions to the credits as a graphic background to the credits. Coppola explained he had captured the now-iconic footage during demolition of the sets set destruction and removal was required by the Philippine government.
Coppola filmed the demolition with multiple cameras fitted with different film stocks and lenses to capture the explosions at different speeds.
He wanted to do something with the dramatic footage and decided to add them to the credits. The film was re-released on August 28, , in six cities to capitalize on the success of Platoon , Full Metal Jacket , and other Vietnam War movies.
The film was given the same kind of release as the exclusive engagement in , with no logo or credits and audiences were given a printed program.
The website's critics consensus reads: 'Francis Ford Coppola's haunting, hallucinatory Vietnam War epic is cinema at its most audacious and visionary.
Upon its release, Apocalypse Now received mixed reviews. Coppola himself describes it as 'operatic', but Apocalypse Now is neither a tone poem nor an opera.
It's an adventure yarn with delusions of grandeur, a movie that ends — in the all-too-familiar words of the poet Mr. Coppola drags in by the bootstraps — not with a bang, but a whimper.
Ebert added Coppola's film to his list of The Great Movies , stating: " Apocalypse Now is the best Vietnam film, one of the greatest of all films, because it pushes beyond the others, into the dark places of the soul.
It is not about war so much as about how war reveals truths we would be happy never to discover. Commentators have debated whether Apocalypse Now is an anti-war or pro-war film.
Some evidence of the film's anti-war message includes the purposeless brutality of the war, the absence of military leadership, and the imagery of machinery destroying nature.
According to Frank Tomasulo, 'the US foisting its culture on Vietnam', including the destruction of a village so that soldiers could surf, affirms the film's pro-war message.
Total Film magazine gave the film a five-star review, stating: 'This is the original cut rather than the 'Redux' be gone, jarring French plantation interlude!
Apocalypse Now performed well at the box office when it opened on August 15, Today, the movie is regarded by many as a masterpiece of the New Hollywood era.
Kilgore's quote, "I love the smell of napalm in the morning", written by Milius, was number 12 on the AFI's Years In , Sight and Sound magazine invited several critics to name the best film of the last 25 years and Apocalypse Now was named number one.
In a poll of UK film fans, Blockbuster listed Kilgore's eulogy to napalm as the best movie speech. This scene is recalled in one of the last acts of the video game Far Cry 3 as the song is played while the character shoots from a helicopter.
In , actor Charlie Sheen, son of the film's leading actor Martin, started playing clips from the film on his live tour and played the film in its entirety during post-show parties.
One of Sheen's films, the comedy Hot Shots! Part Deux , includes a brief scene in which Charlie is riding a boat up a river in Iraq while on a rescue mission and passes Martin, as Captain Willard, going the other way.
As they pass, each man shouts to the other "I loved you in Wall Street! Additionally, the promotional material for Hot Shots!
The film is credited with having created the Philippines surfing culture based around the town of Baler where the helicopter attack and surfing sequences were filmed.
On January 25, , Coppola announced that he was seeking funding through Kickstarter for a horror role-playing video game based on Apocalypse Now.
This is an extended version that restores 49 minutes of scenes cut from the original film. Coppola has continued to circulate the original version as well: the two versions are packaged together in the Complete Dossier DVD, released on August 15, , and in the Blu-ray edition released on October 19, The longest section of added footage in the Redux version is the "French Plantation" sequence, a chapter involving the de Marais family's rubber plantation, a holdover from the colonization of French Indochina , featuring Coppola's two sons Gian-Carlo and Roman as children of the family.
Around the dinner table, a young French child recites a poem by Charles Baudelaire entitled L'albatros.
The French family patriarch is not satisfied with the child's recitation. The child is sent away. These scenes were removed from the cut, which premiered at Cannes.
In behind-the-scenes footage in Hearts of Darkness , Coppola expresses his anger, on the set, at the technical limitations of the scenes, the result of shortage of money.
At the time of the Redux version, it was possible to digitally enhance the footage to accomplish Coppola's vision. In the scenes, the French family patriarchs argue about the positive side of colonialism in Indochina and denounce the betrayal of the military men in the First Indochina War.
Other added material includes extra combat footage before Willard meets Kilgore, a scene in which Willard's team steals Kilgore's surfboard which sheds some light on the hunt for the mangoes , a follow-up scene to the dance of the Playboy Playmates, in which Willard's team finds the Playmates stranded after their helicopter has run out of fuel trading two barrels of fuel for two hours with the Bunnies , and a scene of Kurtz reading from a Time magazine article about the war, surrounded by Cambodian children.
As the sampan gets closer, Willard realizes there are monkeys on it and no helmsman. Finally, just as the two boats pass, the wind turns the sail and exposes a naked dead Viet Cong VC nailed to the sail boom.
His body is mutilated and looks as though the man had been flogged and castrated. The singing stops. As they pass on by, Chief notes out loud, "That's comin' from where we goin', Captain.
Coppola said that he made up for cutting this scene by having the PBR pass under an aircraft tail in the final cut.
A minute First Assembly circulates as a video bootleg, containing extra material not included in either the original theatrical release or the "redux" version.
The first home video releases of Apocalypse Now were pan-and-scan versions of the original 35 mm Technovision anamorphic 2.
The first letterboxed appearance, on Laserdisc on December 29, , cropped the film to a aspect ratio conforming to the Univisium spec created by cinematographer Vittorio Storaro , and included a small degree of pan-and-scan processing at the insistence of Coppola and Storaro.
The end credits, from a videotape source rather than a film print, were still crushed for 1. All DVD releases have maintained this aspect ratio in anamorphic widescreen, but present the film without the end credits, which were treated as a separate feature.
The Blu-ray releases of Apocalypse Now restore the film to a 2. As a DVD extra, the footage of the explosion of the Kurtz compound was featured without text credits but included commentary by Coppola, explaining the various endings based on how the film was screened.
Lionsgate released a 6-disc 40th anniversary edition on August 27, It includes two 4K Ultra HD Blu-ray discs and four standard Blu-ray discs, containing the theatrical version, Redux , and the Final Cut featuring 4K restorations from the original camera negative.
Disc 2 extras include:. From Wikipedia, the free encyclopedia. For other uses, see Apocalypse Now disambiguation.
Theatrical release poster by Bob Peak. John Milius Francis Coppola. Carmine Coppola Francis Coppola.
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Download as PDF Printable version. David Michael Latt David Rimawi. David Michael Latt. This article about a Christianity -related film is a stub.Mit "Apocalypse Now Redux", der neuen Version seines Meisterwerks, Vor allem gibt die "Französische Plantagensequenz" dem Film einen anderen. Zum Jubiläum des Klassikers "Apocalypse Now" bringt Oscar-Preisträger Francis Ford Coppola den Film neu in die Kinos. "Fazit"-Kritiker. Bezeichnenderweise fragt Willard Barnaby Stream Soldaten als allererstes, was die Anklage gegen ihn sei, da er glaubt, verhaftet zu werden. Inszenierter Dokumentarfilm 2. Aber die erweiterte Fassung zeigt besser als die ursprüngliche, dass das nur eine kleine Finte am Anfang ist. Liebesfilm 4. Musikfilm 5. Präsident Hollister schickt Dr. We had access Pietro Lombardi Größe too much money, too much equipment — and little by little, we went insane. Anti-Kriegsfilm 2. Philippinen 4. Bevor sie aber mit ihm in Kontakt treten, wird Las Vegas durch eine Naturkatastrophe zerstört. Apocalypse Now. Andere bingen Feierabendbier, wir trinken Feierabendserien. Willard erhält von seinen Auftraggebern ein Dossier über den Colonel, dessen Inhalt der Zuschauer bruchstückhaft über den Film verteilt erfährt: Kurtz, ein Celia Weston Musterschüler in Vorbereitung auf die höchsten Stabsposten Tatort Sendetermine, absolvierte im für diese Ausbildung sehr fortgeschrittenen Alter auf mehrfachen eigenen Wunsch gegen Widerstände den Ausbildungskurs der Special Forces. Schicksalsdrama 3. Actionfilm Die 1.